{"id":673,"date":"2018-08-17T15:36:03","date_gmt":"2018-08-17T18:36:03","guid":{"rendered":"http:\/\/leticiacoura.com.br\/?p=673"},"modified":"2018-08-17T15:36:03","modified_gmt":"2018-08-17T18:36:03","slug":"moleculas-de-agua-e-mundos-de-plastico","status":"publish","type":"post","link":"https:\/\/leticiacoura.com.br\/en\/moleculas-de-agua-e-mundos-de-plastico\/","title":{"rendered":"[:pb]Mol\u00e9culas de \u00e1gua e mundos de pl\u00e1stico[:]"},"content":{"rendered":"

[:pb]

\"\"

foto Chico Castro<\/p><\/div><\/p>\n

 <\/p>\n

A partir da informa\u00e7\u00e3o de que nosso corpo humano \u00e9 constitu\u00eddo de 60 a 70% de \u00e1gua, me instiga saber como as mol\u00e9culas de \u00e1gua reagem aos sons (o pesquisador japon\u00eas Masaru Emoto inventou um experimento para fotografar cristais de \u00e1gua congelada que haviam \u2018ouvido\u2019 sons diversos; as formas encontradas s\u00e3o in\u00fameras, diversas e impressionantes). Basicamente ent\u00e3o, a \u00e1gua expressa como grande parte do nosso corpo reage aos sons. Os outros 30, 40%, pelo andar da ind\u00fastria aliment\u00edcia, devem estar constitu\u00eddos em boa parte por pl\u00e1stico, j\u00e1 que numa velocidade assustadora tudo o que comemos vem sendo adulterado e acobertado pelo imenso poder financeiro desta mesma ind\u00fastria. E o pl\u00e1stico \u00e9 a mat\u00e9ria da vez. Somos \u00e1gua e pl\u00e1stico.
\n<\/span><\/p>\n

A proposta original da minha segunda pele seria um penetr\u00e1vel de \u00e1gua envolta em pl\u00e1stico e duas caixas de som potentes ao redor. Para qualquer um de n\u00f3s penetrar, sentir a \u00e1gua e o pl\u00e1stico em volta como uma segunda pele e sentir o som vibrar pelo corpo atrav\u00e9s da \u00e1gua. O pl\u00e1stico formaria a superf\u00edcie de contato. Orelhas sensitivas de \u00e1gua e pl\u00e1stico espalhadas por todo o corpo, proporcionando uma outra percep\u00e7\u00e3o do som. Ouvir\u00edamos ent\u00e3o ali as can\u00e7\u00f5es dos espet\u00e1culos d\u2019Os Sert\u00f5es que eu havia citado nos textos anteriores.<\/p>\n

Como o resultado esperado da proposta segunda pele seria principalmente visual j\u00e1 que a ser fotografado, e n\u00e3o haveria tempo para outras pessoas penetrarem minha instala\u00e7\u00e3o, aceitei o som ambiente discreto (que estava acontecendo no teatro) e penetrei eu mesma minha extens\u00e3o aquo-pl\u00e1stica, e ao inv\u00e9s de me concentrar para tentar sentir o som atrav\u00e9s da \u00e1gua, ou ampliar minha percep\u00e7\u00e3o auditiva vibracional do corpo todo, experimentei um prolongamento do meu corpo em contato com o pl\u00e1stico, a \u00e1gua, e atrav\u00e9s da luz.
\nQual \u00e9 o limite do meu corpo? At\u00e9 onde nossos sentidos \u2013 audi\u00e7\u00e3o, vis\u00e3o e tato \u2013 est\u00e3o sub-utilizados, sub-explorados? Como experimentar uma poss\u00edvel amplia\u00e7\u00e3o dos sentidos? Como sentir o pr\u00f3prio corpo a partir de elementos externos?<\/p>\n

E para fechar com chave de ouro o semestre das Arquiteturas do Corpo, Oswald de Andrade, hoje e sempre: \u201ca alegria dos que n\u00e3o sabem e descobrem.\u201d<\/p>\n

<\/span>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

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